* Bio-Tonetix *
~ ASCENSION ~

~ Subatomic particle research, examines the frequencies between 1/100,000 of a second; to one trillionth (1/1,000,000,000,000) of a second, from NOW {Big-Bang}. My familiarity with music’s visual representation, was applied when translating subatomic event graphs, into music. Data obtained at the Z resonance frequency, using the DELPHI detector at LEP, are used to determine the hadron multiplicity in gluon and quark jets, as a function of a transverse momentum like scale. Similar to the scale used to represent music, recorded into my computer.

~ I needed other points of view on those frequencies, if the music was to reflect the brilliant nature of such insights. In my monastic studies, we compared the Oriental and Occidental descriptions of the Death regions & Angelic Spheres. Those timeless, limitless, Aware descriptions, matched properties of the subatomic events observed. So Science, Scripture, & Tonetix; were the three facets through which I gazed upon this Diamond Bright dimension.

~ Subatomic particle frequency waves, were categorized as; Electron, MUON, TAU, Down quark, Up quark, Top quark, & Big Bang by Science.

~ Scripture categorizes spiritual Regions as dreams, knowledge, acceptance, longing, merging, Arc Angles, & Trinity-GOD.

~ Tonetix; categorizes ascending modalities above "B"(physical concerns), progressing by fifths. First dreaming; the occipital Lobe, & Delta brain waves, stimulated by F# (5th dwn from "B").

~ Next, the Temporal lobe & Theta brain waves resonant with C#, the Parietal lobe & Alfa waves by G#, the Frontal lobe & Beta waves with D#, the Nerves & Corona (bio-electric field) A#, Awareness with E#(F), and the base resonance of NOW at B# (high C).

~ SCIENTIFIC ~
~ TERM ~
~ NOTE ~ ~ BRAIN ~
~ STATE ~
~ ASCENT ~
(after death)
~ DESCENT ~
(before birth)
Big Bang B# (C) Awareness
trinity
NOW NOW
Top Quark E# (F) Separate
arch angels
View View
Up Quark A# Auric Corona
nervous system
Merging Indifference
Down Quark D# Beta Waves
frontal lobe
Longing Rebellion
Tau Particle G# Alpha Waves
parietal lobe
Acceptance Escape
Muon Particle C# Theta Waves
temporal lobe
Knowledge Assurance
Electron Particle F# Delta
occipital lobe
Dream Return

 

~ For other points of view I studied the writings of Sawan Singh, India’s Great Master (one who dispels the confusion of many). He described the color and rhythm of each spirituals region, using the same grouping of traits as subatomic physics. Matching Sawan’s rhythms, to the graph peaks from each subatomic particle; showed which drum pattern (from Roland’s 160 possible variations), best expressed each Particle Region. Deep meditation preceded each night’s one man performance, to interpret the notes, rhythm, & mood stimulated by these frequencies. I programmed the bass pattern to follow the Brain Wave (Delta, Theta, Alfa, Beta, Auric) pulse charts. The Keynote of each Region’s Modality, came from the conversion of their color, & hertz rate (divide by 2 until audible). Instrument selection for Roland’s rhythm accompaniment, was based on sounds heard by Yogis, & After Death survivors. After programming these parameters into Roland’s Rhythm Arranger, I could record each night’s musical exploration of that Region (frequency). Each day as I adjusted clients in my SA office; we listened. Their subtle responses, guided my selection of instruments, arrangements, volume, & the one in 400 KORG voices to play, for each song’s Max-Bio response.

~ If you heard that the musicians of Maximus were resistant to playing sparingly for Planetary Voices; you HEAR. If you predict resistance to playing the perfect emotionless eternal order of Spiritual Subatomic physics; you SEE.

~ The closely packed frequencies between Awareness & NOW, have no counter rhythm. In Nature, when a pebble hits water; the waves hit shore, returning to enCounter the oncoming waves. In subatomic regions, no Distance to return from, & no Time to separate each enCounter. No counter rhythm: instead, the same rhythm seams to move backward In Time, without effecting the wave potential in Space-Time. Our congaro, always played Counter rhythm; he could not stop himself. Getting him to play the true rhythm of free electrons, on "1st Dream"; was accomplished by asking him to silently repeat a group of syllables (from Sawan’s Sonification of that region), & drum along with their cadence. This turned out to be one of his best Sonification efforts. Playing with, rather than Counter to, free electron flow.

~ Only a computer can play the parameters of each song without daily emotional content. To Sonify the Top Quark frequencies (Arc Angeles), for songs 6 & 8 on "Ascension", only the computer and I were recorded. The resonant Arc Angel Spheres, are too close to God’s Big Bang NOW to be affected by our daily hormonal secretions. Sawan Sing described the sound of this region as "two streams flowing in opposite directions in the same place & time". Not many instruments produce that sound, however the Korg voice CB-80 "Vectors", has exactly that effect...........

~ Our Guitar Man for this subatomic Sonification effort was Memo Fernandez. His focus was to create new sounds from his Les Paul Gibson Guitar. No other guitarist could have produced such constantly intriguing sounds for these frequencies. At first I thought he was timid & too careful. Then I realized his quiet moments were spent looking for just the right sound. Never content with what he already knew, each song was a journey of exploration.

~ OK, musically I can play "Looking up NOW’s skirt". But what do the Angles hear, as God’s Awareness descends, to dwell in MAN. Musically, it would sound backwards to the Angles (God to Man, instead of, Man to God). The physical rates are slower than the estimated Top Quark wave potential, 1/1,000,000,000,000 of a second. How could I get the musicians to play slower, lower, & backwards?? Simple; record all the "Ascension" music on my 4 track tape, then turn the reels of tape backward, & play them at 1/2 speed (to keep the same keynote). Then go crazy listening to twice as much (1/2 speed) backward music. Selecting the best cuts that Sonifie the VIEW, INDIFFERENT, & REBELLIOUS God takes, to ESCAPE the Angel’s ASSURANCE of His RETURN. God’s refuge from heaven, dwelling in us, as our Awareness NOW.

~ Once the "Ascension Descent" CD was complete, I noticed a strange personal effect. Dendrite connection were stimulated, which revealed a new view through the resonating fabric of Space-Time, and insects began to respond. When "Ascension Descent" came on the Ranch speakers, the insect populations, began to sway.

~ To explain this, I must now confess to using equal doses of Music on both humans and animals, for my own selfish research curiosity.

~ Listening to this music forward, then backwards; produces the most balanced dendrite stimulation I have experienced. The brain’s habit of comparing each moment to past memories; finds similarities in the forward & backward versions of each song, producing dendrite connections & incredible internal electric flow. Listening to "Ascension" CD on "random play" can enhance this effect.

~ When the cows came up for water, if they stayed, or left right away; revealed a lot about the Maximus music being played. I noted when the peacocks trumpeted in resonance with my Flute or Horn, and when the bull would bellow along. The deer gathered in the shade for an instrumental tape; but never for vocals. All loved my Rave CD, but it made them a little bit Jumpy. Never had insects responded, until I composed in the F#, C#, G#, D#, A#, E#, & B# Modalities of Brain Wave response, for "Ascension".

~ Crystal first pointed it out when she noticed the seasonal crop of grasshoppers, swaying on their front legs to the music. I turned the music off, and all the hoppers continued their normal routines. Turn the music back on, and again they began to sway. Turn on other Maximus Music, and no hopper response. Play "Ascension", and if a bug feels at ease, it sways.

~ Now I’m not saying I can shake hands and have conversations with insects. But I do feel less apprehensive about encounters with evolved insect species, controlling technology as sophisticated as mammals. In dreams or awake, I now know telepathy (Awareness) is in the Music between us, not the words.

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